Other types of mounts encountered were embossed or decoratively painted. Silhouettes, like portrait sculpture, are usually either busts or full-figure. Because of their inexpensive nature, relative ease of acquisition, and because a sitter often acquired more than one portrait at a time, silhouettes could be given to someone as a memento. It was often possible to purchase the frame along with the silhouette at the time of the sitting—often clients chose a reverse glass gold and black painted mat as well. He often mounted his silhouettes on lithographed scenes done by "artists. The coating is relatively thick, 44 matte, opaque, and it appears somewhat dry, as if it is leanly bound. The following Greek myth recounted by Pliny the Elder also serves as a silhouette source. This was the first fish Jonathan ever caught in Va. Painted silhouettes decorated jewelry, such as brooches and rings, and snuff boxes. Often these loose silhouettes were slipped into the family bible or a favorite book. The issue of where these objects fit within the overall context of portraiture was also of interest. The effort to study American portrait silhouettes originated with a YUAG curator's interest in silhouettes as a possible addition to a planned exhibition of portrait miniatures. The profile images from ancient Egypt on tomb walls and in Greece on vases are oft cited silhouette sources.
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